The Doors (1991) Val Kilmer Jim Morrison Meg Ryan Pamela Courson Kyle MacLachlan Ray Manzarek Kevin Dillon John Densmore Frank Whaley Robby Kreiger Billy Idol Cat Dennis Burkley Dog Josh Evans Bill Siddons Michael Madsen Tom Baker Kathleen Quinlan Patricia Kennealy John Densmore (III) Engineer-Last Session Gretchen Becker Mom Jerry Sturm Dad Sean Stone Young Jim Kendall Deichen Little Sister Floyd Westerman Shaman Rion Hunter Indian in Desert Directed by: Oliver Stone Produced by: Mario Kassar, Nicholas Clainos, Brian Grazer A look at the enduring 60s rock group The Doors, fronted by Jim Morrison. ========== Oliver Stone's homage to 60's rock group The Doors also doubles as a biography of the group's late singer, the "Electric Poet" Jim Morrison. The movie follows Morrison from his days as a film student in Los Angeles to his death in Paris in 1971, at the age of 27. The movies features a tour- de-force performance by Val Kilmer, who not only looks like Jim Morrison's long-lost twin brother, but also sounds so much like him that he did much of his own singing. It has been written that even the surviving Doors had trouble distinguishing Kilmer's vocals from Morrison's originals. ========== Covers the period from 1965-1971; Produced and released in 1991. Val Kilmer stars as Jim Morrison in Oliver Stone's electrifying profile of the Doors, which takes the group from its inception to its demise with the death of the "Lizard King" in a Paris hotel room in 1971. In the early days of the group's formation, Morrison is at his most benign; he's just a guy hanging out at the beach writing poetry. But soon the Doors' fame begins to spread--with Morrison as the focus of attention. Capable of an eerily correct vocal imitation of Morrison, Kilmer makes manifest the talent and charisma, as well as the confusion and despair, of the complex man who was the focal point of the group. As Morrisson's drug consumption and erratic behavior increase exponentially, the rest of the band--Ray Manzarek (Kyle McLachalan), John Densmore (Kevin Dillon), and Robby Krieger (Frank Whaley)--begins to grow tired of his late arrivals, the increasing number of cancellations, and the drunken recording sessions requiring infinite retakes. But no one can help Morrison as he spirals downward into an inferno of drugs, alcohol, public obscenity, and depression, bringing the music to an untimely close. Stone's intimate familiarity with SoCal in the 1960s provides the film with a high degree of surface verisimilitude, though the film is as much a tribute to the enduring power of the Doors' music as it is a cautionary tale about the perils of both celebrity and substance abuse.