The Devil Wears Prada (2006) Meryl Streep Miranda Priestly Anne Hathaway Andy Sachs Emily Blunt Emily Stanley Tucci Nigel Tracie Thoms Lilly Adrian Grenier Nate Simon Baker Christian Thompson Daniel Sunjata James Holt Alexie Gilmore Clacker #1 Gisele Bundchen Allyson Rebecca Mader Jocelyn Alyssa Sutherland Clacker #2 David Marshall Grant Richard Barnes James Naughton Stephen Rich Sommer Doug Jimena Hoyos Lucia Stephanie Szostak Jaqueline Follet Tibor Feldman Irv Ravitz Colleen Dengel Caroline Suzanne Dengel Cassidy Eric Seltzer Roy David Callegati Massimo Directed by: David Frankel Produced by: Karen Rosenfelt, Joseph M. Caracciolo Jr, Wendy Finerman In the dizzying world of New York fashion, where size zero is the new 2, six is the new 8, and a bad hair day can end a career, Runaway Magazine is the Holy Grail. Overseen with a finely manicured fist by Miranda Priestly--the most powerful woman in fashion--Runway is a fearsome gauntlet for anyone who wants to make it in the industry. To make Runway the fashion bible of New York and therefore the world, Miranda has let nothing stand in her way--including a long line of assistants that didn't make the cut. It's a job no self-respecting person can survive, yet it's an opportunity a million young women in New York would kill for. A stint as Miranda's assistant could blast-open the doors for recent college graduate Andy Sachs. More college drab than haute couture, she stands alone among the small army of "Clackers" on staff at Runway-- superslim fashion divas clacking their stilettos down the halls of the magazine's Manhattan headquarters. But when Andy comes in for the job, it dawns on her that making it in this industry will take more than drive and determination. And her ultimate test stands before her in head-to-toe Prada. Miranda can spin the fashion world like a basketball but has a devil of a time finding and keeping a good assistant. Andy is completely wrong for the job. But she has something the rest of them don't: she refuses to fail. To become the perfect assistant, Andy will need to make herself over in Miranda's image. Soon, much to her boyfriend's dismay, she can talk the talk, walk the walk and never again confuse Dolce with Gabbana. But the more of life she sees through Miranda's eyes, the more she begins to grasp that Miranda's world is a fabulous but lonely one--and that sometimes great success depends on great sacrifice. But at what cost? ========== A drastic improvement on Lauren Weisberger‘s bestselling novel, THE DEVIL WEARS PRADA showcases Meryl Streep's knack for combining humor and sadness. While likely inspired by notorious VOGUE editor Anna Wintour, Streep's Miranda Priestly (head of Runway magazine) is entirely her own creation. Sporting silvery hair, a vast collection of fur coats, an encyclopedic knowledge of all things fashionable, and a killer smile, Miranda is full of wicked charm. With her mature beauty and commanding presence, Miranda is as fascinating to watch as she is intimidating to the constant rotation of assistants thrown her way. When bookish Northwestern grad Andy Sachs (Anne Hathaway) interviews to become Miranda's newest lackey, Miranda hires her not for her lackluster wardrobe but for her intellect. Inside the pristine Runway offices, Andy suffers through a never-ending list of impossible tasks, and is the subject of constant harassment by Miranda's jealous first assistant (Emily Blunt). But to the dismay of her boyfriend (Adrian Grenier) and close friends, Andy slowly finds herself seduced by the glamorous world of fashion, and by Miranda herself. While Andy's transformation comes largely in the form of new designer clothing, the makeover is mental as well. What starts out as a firm belief in fashion's vapidity and in Miranda's heartlessness gradually fades into the suspicion that the boss from hell might just be hiding a soul. While the book villainized its title character, the film gives new depths to her wrath. As Andy trades her undergrad wardrobe for one packed with Prada and Chanel (with help from Stanley Tucci in a brilliant role), viewers are able to savor the work of costume designer Patricia Field. Together with director David Frankel (who also worked on SEX AND THE CITY), Field creates a world of fashion so wonderfully extreme it would be hard for anyone to resist. ========== In New York, the simple and naive just-graduated in journalism Andrea Sachs is hired to work as the second assistant of the powerful and sophisticated Miranda Priestly, the ruthless and merciless executive of the Runway fashion magazine. Andrea dreams to become a journalist and faces the opportunity as a temporary professional challenge. The first assistant Emily advises Andrea about the behavior and preferences of their cruel boss, and the stylist Nigel helps Andrea to dress more adequately for the environment. Andrea changes her attitude and behavior, affecting her private life and the relationship with her boyfriend Nate, her family and friends. In the end, Andrea learns that life is made of choices. ========== The story tells the professional adventure of Andrea, whose greatest dream is to become a journalist. Andrea gets a job in the fashion industry through Runway magazine, the most famous of its type, to make ends meet. But Andrea won't develop her writing skills in the magazine, but her talents as the editor in chief's assistant, Miranda. The problem is that Miranda is a merciless, posh and cruel woman, making the experience a living hell for the girl. The environment in the place will be cold and extremely critical with the physical appearance. The girl will have to change her simple and plain style, for a more trendy and elegant one, in order to gain the acceptance of her ruthless boss and colleagues, specially Emily, her unpleasant workmate. Despite everything against Andrea in the office, she will consider the experience as a challenge, drastically changing her clothes and self-image, with the help of Nigel, the magazine's art director. Nevertheless, the job becomes extremely demanding, because of Miranda's tough work rhythm and nearly impossible tasks, leaving Andrea without a private life with her boyfriend, family and friends. Maybe the old Andrea has gone, now more preoccupied about her image and her future in the magazine. ========== Miranda Priestley, of "Runway" magazine tears up the landscape as a demanding fashion editor. She is a terror to everyone who is around her as is quickly depicted in the opening scenes of the movie. Her first assistant strives to please her and tries to emulate her, but one can sense that she is not quite as hard as she tries to put on. Into this mix comes a young woman who knows nothing of the fashion industry, has never read the magazine, and doesn't know who Miranda Priestley is. She only sees this as a stepping stone to another journalism position. Showing no fashion sense and immediately scorned by everyone, Miranda nonetheless hires her as the second assistant. When Miranda demands that she obtain the next unpublished Harry Potter manuscript, you can sense that she is trying to force her to quit, but it makes the young woman dig in to please her boss. With the help of one of the magazine's fashion editors, she gets a complete makeover and a new security. However, with her new appearance and the demands placed on her, she starts to lose her friends, family and her live-in boy friend. As she is whisked away to Paris with Miranda and faces all of the glamor that could be hers, including a flashy if not artificial freelance journalist, she is forced to make the decision of where she wants to be in her life.