Connie and Carla (2004) Nia Vardalos Connie Toni Collette Carla David Duchovny Jeff Stephen Spinella Robert/Peaches Alec Mapa Lee/N Cream Chris Logan Brian/Brianna Robert Kaiser Paul Ian Gomez Stanley Nick Sandow Al Dash Mihok Mikey Boris McGiver Tibor Don Ackerman Super Fey Guy Debbie Reynolds Herself Veena Sood Mrs Morse Directed by: Michael Lembeck Produced by: Rita Wilson, Nia Vardalos, Peter Safran Some Like It Hot gets a queer makeover in Connie and Carla, a lightweight comedy from the writer and star of My Big Fat Greek Wedding. In Billy Wilder's classic, Jack Lemmon and Tony Curtis teamed up in a male-as-female drag comedy, whereas here, writer-star Nia Vardalos goes a step further (and several derivative steps backwards), teaming up with Toni Collette as the titular heroines, playing women posing as men posing as women--kind of like Victor/Victoria with excess mascara. They witness a murder, and the killer knows it, so they hightail it out to West Hollywood, where (with the help of poodle wigs and garish cosmetics) they blend in with the performing drag queens at the Handlebar club, where queer makeovers are fabulously mandatory. Connie (that's Vardalos, to Collette's ditzy Carla) gets the hots for a drag queen's straight brother (David Duchovny), and even Debbie Reynolds pitches in to give a show that any gay crowd would love. There are some well-earned laughs along the way, but the whole thing feels like a sitcom we've seen before, which pretty much summarizes Vardalos's career to date. Vardalos has genuine comedic talent (and so does Collette), but it's adrift in this hash of old ideas. ================ Connie and Carla are two small-town 'girls' whose dreams of stardom have taken them nowhere. From their debut in a school cafeteria to their current gig slinging drinks and belting out tunes at a Midwestern airport lounge, the singing and dancing duo simply refuse to let the less-than-enthusiastic crowd response dampen their showbiz drive. For Connie and Carla, everything's coming up roses, naysaying boyfriends and snoring audience members notwithstanding. The girls lose one of their few supporters when their boss Frank ends up on the wrong end of a criminal deal--a scene they unfortunately happen to witness. Quicker than a fast change in the second act, Connie and Carla pack up their battered dreams and extensive assortment of wigs and costumes and hit the road, running for their lives. Convinced the killers will never look for them in a place utterly devoid of culture, the pair ends up in the Land of Dreamers, Los Angeles. In a new place with new identities, they create a cover (with a lot of cover-up) that makes them the toast of the town--headlining in a local drag club, they soon find the acclaim that has always eluded them, singing the show tunes they've always loved. Being famous is their dream come true--who cares if includes a tiny little lie? But trying to keep their secret turns out to be a real drag, especially when Connie meets Jeff, a real nice guy with whom she'd really like to be a real girl.